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Stephen William Savage, Composer, Teacher, and Pianist Summary and Professional Profile Mr. Savage is a versatile professional musician, with extensive teaching experience at college and secondary levels as well as private studio. He is experienced in Music Composition, Theory and Piano pedagogy, and is now a part-time instructor of music theory and composition at the Extension Division of a major college of music. Prior to that he was a faculty member and administrator at a community school for the arts and faculty member at a major college of music. He is an active composer with a substantial catalogue of publicly performed works, published by Danforth Music, ASCAP. He is a pianist/accompanist with expertise in both classical and jazz idioms. He also has experience in providing Information Technology consulting services for a major financial institution and for a major IT outsourcing company. Teaching Experience New England Conservatory, Division of Preparatory and Continuing Education (formerly Extension Division), Boston, MA 1980-present Faculty Member
Lawrence Academy, Groton, MA 1989-1997 Instructor
Choral Accompanist Indian Hill Arts (now Indian Hill Music Center), Littleton, MA 1985-92 Faculty Member
Groton Center for the Arts, Groton, MA 1982-1985 Faculty Member
Berklee College of Music, Boston, MA 1975-1980 Faculty Member
Private studio, piano, Boston/Metrowest area 1975-present
Arts Administration Experience
Indian Hill Arts, Littleton, MA 1985-1987 Assistant Director, School of Music
Santa Fe Opera, Santa Fe, NM 1972 Assistant to the Production Manager
Related Experience
Author, Syllabus for Counterpoint, for New England Conservatory Extension Division theory department Pianist on roster of Curtis International Agency, Boston, MA, 1992-present
Music Copyist, Soundtrack Recording Studio, Boston, MA, 1983
Principal Commissioned Works and Awards Fanflutasy, commissioned by Indian Hill Arts Music School Flute Choir, performed, Harvard, MA, 1992 Suite for Violin and Guitar, winner of New Works Composers Competition sponsored by Groton Center for the Arts, performed Groton School Chapel, 1983, and Jordan Hall, Boston, MA, 1991 Fanfare and Fantasy on Music of Sergei Prokofiev, commissioned by Mark Churchill and Symphony Pro Musica, performed Assabet Valley Regional High School, Marlborough, MA, and City Hall Auditorium, Leominster, MA, 1986 The Pines, commissioned by the Groton Center for the Arts, performed by the New Works Orchestra (a student ensemble) at the Groton School Chapel, 1984 Eternal Return, commissioned by the Mystic Valley Chamber Orchestra, performed First and Second Church, Boston, MA, 1978
Professional Affiliations Member, ASCAP; catalogue of works published by Danforth Music Member, New Opera Theater Ensemble (NOTE), an improvisational opera group, Cambridge, MA See Catalogue of works elsewhere on this site
Additional Experience Fidelity Investments, Marlborough, MA 1999-2001 Software Engineer/Developer
Keane, Inc., Boston, MA 1997-1999 Consultant
Education and Professional Training
Principal Teachers: Music Theory Gerald Zaritzky James Hoffman Robert Cogan George Russell Composition Malcolm Peyton Donald Martino Robert DiDomenica Piano Resi Stoelker-Neumann Robert Sherwood Katja Andy Improvisation Charles Banacos Guitar Gregory Passler Berit Strong
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